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SHASN – Board game

Aug 16 - 18 2023 – 11:00am-7:00pm

About the event

About the Creator: Zain Memon is a transmedia storyteller, producer, and media tech specialist. He created the award-winning board games SHASN and SHASN:AZADI, has produced the critically acclaimed An Insignificant Man, OK Computer, ran the three largest crowdfunding campaigns out of India, as well as the world’s largest open source film project for Ship of Theseus.  Zain also launched India’s first VR journalism platform with ElseVR. He is now co-creating a massive transmedia narrative universe, where he is producing films, graphic novels, board games, as well as a digital gaming platform.

About the game: Shasn is an award-winning political strategy board game where every player takes on the role of a politician in the midst of a political campaign. 2-5 players take on the role of politicians competing in a national election. As they build their political personas, players must answer tough policy questions, manage resources, influence voters, and outmaneuver each other to secure power.

Registration link:

16th August – https://forms.gle/W8LdXsUiGkGTWXRg7

17th August – https://forms.gle/EwrwqdxYnymxbY6d8

18th August – https://forms.gle/KoLvndHunu2oHCEA7

Date: 16 -18th August, 2023, Time : 11:00am- 7:00 pm

In collaboration with

IFBE

The Ice Factory at Ballard Estate (IFBE) is an experimental laboratory for transdisciplinary practices across modern and contemporary architecture, art, and pedagogy. The conserved and refashioned structure is itself a historical object; its complexity, diversity, and paradoxical forms of architecture are instruments for the invention of knowledge. Malik Architecture has created an architecture that does not settle, one with spaces to breathe through a crystallization and mutation of traditional, modern, and contemporary experiments. A century-old embodiment... of “the dreams that stuff is made of.” IFBE’s community of architects, artists, scholars, and students exists in the expanding complexity and multiplicity of the present without sacrificing a fidelity to pasts and archiving, to build and chronicle in the here and now, what Reinhard Koselleck felicitously called “futures past.”