Menu
Back

Jaat Bahu | A Stand-Up Comedy Act by Radhika Vaz

About the event

With her signature wit, Radhika will take us through the hilarity of dating disasters, navigating in-laws, and the quirks of middle-aged men.

ABOUT THE ACT
A show that cleverly weaves together stories about dating the wrong guys and marrying the right mother-in-law, why women make good friends, and what makes middle-aged men special.

ABOUT THE ARTIST
Radhika Vaz is an improvisational comedian and writer who lives and works in New York. She gave up a career in advertising to follow her true calling: making people laugh and think. She trained with members of the Groundlings School, Improvolution, where she is a visiting faculty member, Upright Citizens Brigade and the Magnet Theatre. Her bi-weekly column (Read It And Weep) in the Times of India’s op-ed page reaches millions of readers. Her comedy web-series ‘Shugs and Fats’ won a Gotham Independent Film Award in New York and was featured at the Tribeca Film Festival, and her book ‘Unladylike, A Memoir’ is available in stores and online. Her hobbies include powerlifting and watching an embarrassing number of low-quality reality TV shows.

Get your tickets: bit.ly/4dbyBEy

In collaboration with

IFBE

The Ice Factory at Ballard Estate (IFBE) is an experimental laboratory for transdisciplinary practices across modern and contemporary architecture, art, and pedagogy. The conserved and refashioned structure is itself a historical object; its complexity, diversity, and paradoxical forms of architecture are instruments for the invention of knowledge. Malik Architecture has created an architecture that does not settle, one with spaces to breathe through a crystallization and mutation of traditional, modern, and contemporary experiments. A century-old embodiment... of “the dreams that stuff is made of.” IFBE’s community of architects, artists, scholars, and students exists in the expanding complexity and multiplicity of the present without sacrificing a fidelity to pasts and archiving, to build and chronicle in the here and now, what Reinhard Koselleck felicitously called “futures past.”