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The SHASN Debate

Aug 19 2023 – 5:30pm-6:30pm

About the event

About the Host: Faye D’Souza is a multi-award winning journalist, immensely popular for her balanced and unbiased style of journalism. With a following of over 3 million across social media platforms, Faye and her team of journalists have built a reputation for reliable, verified, non-partisan news updates on social media. Faye has been the recipient of several awards for her journalism including the Ramnath Goenka award for excellence in Journalism. Following her exit from television, Faye has launched her news app called Beatroot News with the aim to innovate with formats and restore dignity and credibility to audio-visual news. Her dedication to journalistic integrity has made her a prominent figure in the industry, and she continues to make significant contributions to the field of media and journalism.

About the Event: The sharpest, most rigorous debate show is in town! The SHASN Debate by Faye D’Souza is here to cut through the noise of political polarisation and media toxicity, and revive the lost spirit of dignified political debate on issues that matter, which is based on SHASN, the bestselling political strategy game.

Date: 19th August, 2023, Saturday | Time: 5:30 PM – 6:30 PM

Registration link: https://forms.gle/ATjA1QBwPj56rLGBA

In collaboration with

IFBE

The Ice Factory at Ballard Estate (IFBE) is an experimental laboratory for transdisciplinary practices across modern and contemporary architecture, art, and pedagogy. The conserved and refashioned structure is itself a historical object; its complexity, diversity, and paradoxical forms of architecture are instruments for the invention of knowledge. Malik Architecture has created an architecture that does not settle, one with spaces to breathe through a crystallization and mutation of traditional, modern, and contemporary experiments. A century-old embodiment... of “the dreams that stuff is made of.” IFBE’s community of architects, artists, scholars, and students exists in the expanding complexity and multiplicity of the present without sacrificing a fidelity to pasts and archiving, to build and chronicle in the here and now, what Reinhard Koselleck felicitously called “futures past.”